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fibre Quarterly volume 2 issue 3 Summer 2006 |
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Hillary Webb: Molecular
colour and line
Hillary Webb has
been making the rounds of Craft Shows since graduating with a Bachelor of
Design from the Ontario College of Art and Design in 2005.
Her work consists of cotton, wax, natural dies, tattered holes, reverse appliqué and
thread combined to create objects/ images reflective of an organic world. By
waxing dyed cottons to deepen colours, embellishing with beading, and
drawing with both graphite and embroidery, Hillary Webb draws on a
seemingly microscopic, if not molecular, view of nature. Her subtle sense
of colour and form is always under control, regardless of the size or
shape of each piece. A broach or bookmark, alone or framed in a shadow
box, are as finished as her larger wall pieces. With
attention to detail and layering of materials, Hillary is building a body
of work to keep watch for. Now
is the time to invest -- with her career just beginning, and while
she is still doing the "Craft Show" circuit, you have time to
encourage this new artist. If you missed her at the Toronto Outdoor Show, go to her website to view her work and see what is next: http://www.hillarywebb.ca/ |
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Visit these sites www.labiennale.org/en
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The Sweater LodgeThe Canadian Design Studio of Pechet and Robb warm up
the Venice Biennial in Architecture this coming fall with their installation
called SweaterLodge. Bill Pechet and Stephanie Robb
run an award-winning
interdisciplinary design practice, based in The
10th Venice Biennale in Architecture began in 1984, adding a new component
to a cultural institution that started in It
will also provide the professional audience with new and detailed
information of the complex issues that affect urban growth today: new
developments in transport, emerging forms of urban governance, and the new
landscapes of housing, workplaces, and public institutions that are
shaping the contemporary world. SweaterLodge has been chosen through a national
juried competition to represent Canada at the 2006 Venice Biennale of
Architecture. It is a multi-media exhibit reflective of: The main element of SweaterLodge is a giant polar
fleece sweater. Offering visitors a warm welcome, this common article of
Canadian street wear is amplified into an iconic architectural
environment, reflecting how outdoor leisure lifestyle intersects with
Vancouver urban living. The polar fleece fabric is made from recycled
plastic drink containers. Suspended within the Canadian pavilion, the
inhabited garment becomes a lodge, a voluminous glowing orange interior
space, evoking fire light and the brilliance of out-in-the-woods safety
wear. As visitors enter the sweater, they encounter a
series of digital films showing vignettes about a city that intertwines
wilderness and modern urban life. Each projection is activated by a viewer
peddling a stationary bicycle: the faster they peddle, the faster the
video plays. The shipping crates and baggage used to transport
the exhibition will transform to become pavilion furniture as SweaterLodge
envisions a future where daily objects become multifunctional: a sweater
becomes a lodge, packs become sofas, and bicycles become projectors. After the exhibition, the 400 square meter sweater
will return to Canada for a public “sew-in” event where it will be
recycled into hats, scarves and mitts for charitable giving. The Design Firm of Pechet and Robb is in the home stretch for fundraising. They are hoping to raise another $25, 000 before the end of August. Creating a unique and memorable exhibit of this magnitude is an expensive proposition, and they rely on the generosity of government, corporate and private donations. People
can donate on-line at www.sweaterlodge.ca.
All donations will receive an immediate tax receipt and
would be greatly appreciated!
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The Textile Museum of Canada:
Award
Winning and Working Hard The
Canadian Textile Museum celebrated its 30th anniversary in 2005 with eight mounted
exhibitions and the launch of Canadian Tapestry, an online
exhibition and database featuring more than 3,800 objects from the museums
permanent collection. The event turned out to be a favourite
of the 2006 Ontario Association of Art Galleries (OAAG) Awards which named
A Terrible Beauty: an installation by Jennifer Angus, one of
the eight exhibitions featured, as Exhibition of the Year, as well as
recognizing Thor Hansen: Crafting a Canadian Style, with two
awards for Design and Curatorial Writing respectively. Even the web launch
did not go unrecognized at this years OAAG awards which granted Canadian
Tapestry with the title of Website of The Year, a title that could be
added to their growing repertoire as the site has also been awarded the
prestigious Excellence in Arts, Lifestyle and Culture award from the
Canadian New Media Awards. With so much attention at the OAAG
awards, an increase in media coverage for A Terrible Beauty
and subsequent increases in attendance, the TMC is using this interest to
boost its role as public educator. The educational backbone of the TMC is
well established thanks to the H. N. Pullar Library, and the creation of
FibreSpace, a hands on creative education space that has been a part of
the Permanent Collection Gallery since 2004. This coming fall the TMC will
continue to grow with the launch of Arts for Youth – Arts for Life, a
new special educational project directed towards students in the
elementary and secondary school systems. As government and Board of
Education budgets continue to tighten and arts related curriculum
diminishes the TMC steps up its efforts to bring the museum experience to
this next generation. The Museum offers engaging and inspiring
curriculum-linked educational programs for school groups. Their
gallery/studio programs include an educator-led tour of the current
exhibitions with stimulating hands-on activities, affording each student
the opportunity to create their own textile artworks connecting cloth and
creativity to everyday life. To underwrite the cost of these
programs for students and schools that are under stress from lack of funds
and are unable to subsidize such activities, the TMC annual Golden Threads
Campaign will fund this project. Arts for Youth – Arts for Life
commencing in September will provide free-access for the large number of
children from these disadvantaged schools. The TMC is looking to public
for aid. A gift of $50 will
provide a visit for eight children: a donation of $125, for example will
underwrite a field trip for 20 young people. Working in partnership with
the Toronto District School Board and the DAREarts Foundation
(http://www.darearts.com/index-flash.html)
the Museum will put its education department fully behind this increased
effort. To support or find out more about this program visit the website http://www.textilemuseum.ca/support.html fibre Quarterly volume 2 issue 3 Summer 2006 |